A flock of sheep consisting of various subjects whose individuality is highlighted through the naming.
The multiplication of one drawing due to the printing conveys the idea of an underlying common ground, from where diversity arises.
The used natural materials raw wool, sheep droppings, dried leafs, wood and hay embed the sheep in a surrounding and permit a multifarious experience of the artwork.
The sheep are installed in a row with a short distance between the sheets, so that the single wood print is not visible in its wholeness, but melts into one group.
This project is about the destruction and transience of the human body.
Based on the thought, that emerged in medical writings of the Enlightenment, of death as a creeping process that takes place in every living being, the artist investigates the transformation of the body, making the process of continuous change visible. The flowing transition between landscape graphics and representation of people, their stroke of faith and death illustrates the idea of a cycle of death and of natural reincarnation; the body is in constant transformation and over time becomes earth, from where something new will grow.
